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Alternative music in Japan is a vibrant and diverse scene that has gained a significant following both locally and internationally. This genre emerged in the 1980s and 90s as a reaction to the mainstream pop music dominating airwaves, and has since evolved into various sub-genres that are characterized by their experimental, avant-garde, and non-conformist nature.
One of the most prominent artists in the Japanese alternative music scene is Shonen Knife, an all-female band that formed in Osaka in 1981. Known for their high-energy punk-rock sound and quirky lyrics, Shonen Knife has gained a cult following not only in Japan, but also in the United States and Europe where they have toured extensively. Another popular artist in the alternative scene is Cornelius, a electronic musician and producer who has been active since the mid-1990s. His music draws from a variety of genres, including rock, pop, and techno, and often features inventive sampling and production techniques.
Other notable artists in the Japanese alternative scene include Sakanaction, a band that blends rock, electronic, and dance music to create a unique sound; Mass of the Fermenting Dregs, a female-fronted rock outfit that has been acclaimed for their intricate melodies and songwriting; and Nujabes, a producer and DJ who fused jazz and hip-hop in his music.
There are several radio stations in Japan that cater to fans of alternative music. One of the most popular is FM802, a station based in Osaka that plays a wide range of alternative music, from punk and indie to techno and dance. Another notable station is Bay FM, which is based in Yokohama and features a mix of alternative, rock, and pop music. Additionally, Tokyo-based J-Wave has a selection of alternative shows on air, ranging from indie rock to electronic and experimental music.
Overall, the alternative music scene in Japan continues to thrive and attract both local and international fans. With a diverse range of talented artists and supportive radio stations, the genre is poised to continue pushing boundaries and challenging traditional music norms.
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